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Reasons to verify these 5 DSLR cameras

Jan 4, 2010 Author: comparedslr | Filed under: Canon, General, nikon, pentax, review dslr camera, sony, tip & technic

Digital photography makes its way into the world of photography as normal people are the new models that hit the news every time crazy. Let’s get close to these 5 characteristics of DSLR cameras. The cameras are compared to some of their properties, such as shooting mode, aperture control, metering modes, white balance.

Sony Alpha DSLR-A330
With a 10.2 megapixel sensor and a 9-point AF, Sony AlphaDSLR-A330 is the perfect solution for capturing sharp images. This model features a 2.7-inch LCD screen that functions as a viewfinder.

Nikon D-5000
The cameras from Nikon have excellent properties and is worth buying, even if it requires a little ‘more out of pocket. With a 12.3 megapixel sensor, the Nikon D-5000 produces images of excellent color quality. Has a 11-point autofocus system, an LCD screen a bit ‘better and a good display.

Canon EOS 500D
Canon EOS 500D comes with a costlyPrice tag, but the property, go to the maximum. The 15 megapixel sensor, high resolution 3-inch LCD display, white balance and how to measure some of the salient features. The movie mode camera can shoot video of high quality.

Pentax K200D
After a price between areas of entry level cameras, Pentax K200D is a good deal. It has a 10.2 megapixel camera and the images of good quality and better resolution. The Live View functiondoes not promise much though.

Nikon D60
A 10.2-megapixel camera on a chip that is better than the CCD chip called, are being implemented is better than the other is on camera RAW-to-shot. The function of rangefinder is looking better in the Nikon D60.

This entry-level cameras are the best on the market. That rely on them as needed for the trip and are very important for everyone. It was noted that the photographs bring joy and relief to his mind. If you have an oldPhotos that you feel comfortable. Memory for the duration of the gadget must be very well preserved, if we have the right camera and gadget reviews blog can help you find the right address.

You can bring home the newest models between the different varieties available. You can search for reviews from blogs, and find the best site where you can buy a perfect camera for you. Gadget blog reviews are the best, if you buy these items from the site of fame. You can search some of the best sites link of this blog reviews. Blog post are very useful, provided links from these websites.

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Nikon D700 Photography Video

Jan 1, 2010 Author: comparedslr | Filed under: General

Read News and Information >>>>>> DSLR Camera News

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Olympus Evolt E520 10MP Digital SLR Camera with Image Stabilization w/ 14-42mm f/3.5-5.6 Zuiko Lens

Dec 21, 2009 Author: comparedslr | Filed under: General, olympus

Olympus Evolt E520 10MP Digital SLR Camera with Image Stabilization w/ 14-42mm f/3.5-5.6 Zuiko Lens

Product Description

Manufacturer Description

The new Olympus E-520 digital single lens reflex (DSLR) camera delivers brilliant images thanks to advanced technologies that help take the blur out. Industry leading Image Stabilization built into the portable camera body compensates for movement so that images are sharp and blur-free with any lens and even at slow shutter speeds. Autofocus Live View brings subjects into sharp focus on the camera’s HyperCrystal II LCD. Together, these technologies produce amazing results, along with the following features that further expand the DSLR experience:

In-Body Image Stabilization with Supersonic Wave Drive technology provides blur-free images when using any of the more than 30 digital-specific lenses;
Face Detection Technology targets and locks on faces to ensure they are in focus and blur-free for amazing portraits;
Shadow Adjustment Technology opens up detail in the shadows that other cameras would render too dark or underexposed while maintaining detail in the highlights; and
Perfect Shot Preview enables photographers to view and select White Balance and Exposure Compensation effects right on the LCD, and see how the image will look before they even capture it.

Evolt E520 Highlights

10-megapixel Live-MOS Sensor Get amazingly detailed, colorful and clear images with the 10-megapixel Live-MOS image sensor. This high-resolution sensor captures all the detail needed to make large prints, or even crop without losing detail. The E-520 sensor’s high dynamic range, accurate color rendition and low noise characteristics let you capture great images, even at high ISO settings.

Enhanced In-Body Image Stabilization For the first time, in-body Mechanical Image Stabilization has three modes for increased versatility. IS-1 mode for general shooting adjusts the sensor on both the X and Y axes to compensate for movement by the photographer so images stay sharp even at slow shutter speeds. To capture the motion of athletes and animals, and other moving subjects, the E-520 offers two specialized modes. IS-2 mode is ideal for capturing a racecar flying down the track, preserving the sense of motion while panning with the moving subject and holding the camera horizontally to dramatically portray the car’s high speed. For sharp images of moving subjects like a basketball player charging up the court, the IS-3 mode allows a photographer to hold the camera vertically while panning. The artistic effects of panning enhance the shot and render the player in sharp detail with blurred background.

The Live View Experience The portable E-520’s advanced autofocus Live View enables photographers to compose their images and bring them into sharp focus on the HyperCrystal II LCD — just like a point-and-shoot camera. By simply pressing the shutter button halfway, subjects come into focus on the LCD, so when the perfect moment occurs it is easy to compose, focus and capture sharp images while viewing on the LCD. Live View makes it possible to shoot upward from a low angle for dramatic composition, in close for detailed macro photos of an exotic insect, or over a crowd of people at a tennis tournament.

New and Improved HyperCrystal II LCD The E-520’s viewable HyperCrystal II LCD is the key to its Live View capabilities. While some LCD screens force photographers to squint to preview images in bright sunlight or a dimly lit room, the E-520 features a large, bright 2.7-inch LCD display that incorporates new technology. It also offers twice the contrast for better viewing in extreme light conditions, a larger color gamut that displays a greater range of color detail, and a 176-degree viewing angle.

Always Find a Face in the Crowd The E-520’s Face Detection reduces the chance of blurred subjects in photography by distinguishing between people’s faces and the background. It tracks up to eight faces within the image area even if people are moving and automatically focuses and optimizes exposure for sharp, brilliant portrait pictures.

In Sunshine or the Shadows, Never Miss a Detail Shooting scenes with shadows can be tricky because of the extreme contrast between dark and bright areas. The E-520 addresses this challenge with Shadow Adjustment Technology that compensates for extreme contrast and maintains visible detail in both the shadow and highlight areas of the scene. Now users can preview and capture images showing the shadow detail they saw. This feature is also available in the Edit menu after the shot has been taken.

Preview a Multitude of Possibilities Perfect Shot Preview enables users to preview and select from a variety of thumbnail previews of the photographic effects of white balance and exposure compensation adjustments live on the LCD before taking the photograph. It is an ideal way for novice users to learn about the effects of different photography techniques, visually, without having to scroll through menu options. With 20 preset scene-select modes for every imaginable shooting scenario from underwater photography to fireworks, and program, automatic modes and full manual controls, the E-520 offers a world of possibilities to photographers.

Experience Life under the Sea Olympus will offer the PT-E05 optional underwater housing for the E-520 to allow photographers to document the richness of life in the depths. Capable of reaching depths of 130 feet underwater, the housing will ensure that divers will not miss an image during their journeys to the abyss. Special underwater scene modes on the E-520 will assure that the camera is set up correctly for underwater use.

Wireless Flash Capability Sometimes wireless flashes can help photographers cast the best light on their subjects and capture great images. For this reason, the E-520 is compatible with the Olympus FL-50R and FL-36R wireless electronic flashes that are designed exclusively for digital photography. When these flashes are used in combination with the E-520, wireless multi-flash photography is possible. The E-520 can control up to three wireless flash groups independently, with multiple flash units in each group.

TruePic III for Image Clarity & Speed The 10.1-megapixel E-520’s TruePic III Image Processor produces crystal-clear photos using all of the pixel information for each image to provide the best digital images possible for every photo with accurate color, true-to-life flesh tones, brilliant blue skies and precise tonal representation in between. TruePic III also lowers image noise by one step to reduce graininess in images shot at higher ISO settings, enabling great results in low-light situations.

Dust Reduction System for Spot-Free Images Life moves too fast to spend time worrying about dust ruining the perfect image. Olympus’ proven Dust Reduction System produces spot-free photos with the exclusive Supersonic Wave Filter. The patented ultrasonic technology vibrates to remove dust and other particles from the front of the image sensor and captures it on a special adhesive membrane every time the camera is turned on. These spot-free photos liberate users from hours spent retouching photographs at the computer or sending their cameras back to the manufacturer to remove dust trapped inside.

Easy to Handle, Easy to Operate The E-520 is extremely portable, measuring 5.35 inches (width) by 3.6 inches (height) and 2.68 inches (depth), excluding protrusions, and weighing 16.75 ounces (body only). The new camera has a classic penta-mirror design that is light and compact enough to shoot with all day. It features a comfortable ergonomic grip to ensure that the camera fits snugly in the hand. Beyond its portable size, the E-520 has an expanded menu for greater control and buttons on the body for quick and easy direct access to the most common settings. Accepting both CompactFlash Type I & II, Microdrives and xD-Picture Cards, the camera provides a choice of data-storage options for enhanced flexibility, and it is possible to transfer image files from one card to the other right inside the camera.

100-percent Digital-Specific Lens for Sharpness and Rich Colors The E-520 outfit includes a compact, Zuiko Digital 28-84mm equivalent (ED 14-42 mm Four Thirds) f3.5-f5.6 lens that perfectly matches the imager so light strikes the sensor directly to ensure rich, accurate colors and edge-to-edge sharpness. Its 3x ED Glass zoom lens covers the range most frequently used in photography and weighs just 7.5 ounces, offering users an extremely dynamic, portable, everyday-use zoom. Close-ups as near as 9.84 inches (0.25 m) are possible throughout the zoom range. This lens is part of Olympus’ expanding line of 100 percent digital lenses — designed specifically for digital photography. Unlike other camera companies, Olympus does not rely on old film lenses, which often result in images with soft edges or other imperfections.

What’s in the Box

E-520 body, 14-42mm f/3.5-5.6 Zuiko lens, USB cable, video cable, Li-Ion battery pack (BLM-1), Li-Ion battery charger (BCM-2), shoulder strap, Olympus Master software CD-ROM, manuals and warranty card

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Using Nikon Equipment For Wildlife And Nature Photography(2)

Dec 15, 2009 Author: comparedslr | Filed under: Customer Reviews, General, nikon

Lenses – Pros and Cons

While I can’t tell you the right lenses to buy for your particualr needs… I can give you some feedback/impressions about the particular lenses I am using or have used in the past.

Nikkor 10.5mm f2.8 Fisheye: I never thought such a specialized lens could provide me with so much use. I’ve won several awards with this lens because the unusual images you get are, well, unusual. A plain boring scene can be turned into this nifty surreal image with the 180 degree angle you get from a fisheye. I like to turn it towards the ground to make it look like the earth is round… and then put a tree, person or animal in the middle. It looks like the object is “on top of the world.” There are many fisheye lenses… but using older ones on a DSLR body (with magnification) make the effect look wonky. This is the only situation where magnification doesn’t really help when you want to use an older lens. However, the 10.5mm lens made for DSLR work great.

Nikkor 18-70mm f/3.5-4.5G ED-IF AF-S DX Zoom – This lens is all right. I bought it as a kit lens a long time ago and it’s served well for the wider range. I wish I had saved pennies and purchased a 2.8 that offered a wider range (like a 12mm to 25mm).

Tamron 17-35mm f2.8: This is a great lens but, alas, I purchased it for a film camera and the magnification on my digital body means that it isn’t that useful in my photography right now. I’m planning on selling it (along with my other wide angle) and buying a 2.8 that has a wider range so I can do more with landscape photography.

Nikkor 50mm f/1.4D AF – This is the same lens I discussed earlier. It’s small, has a low price tag, allows you to shoot in really dark situations and it’s an 80mm on a digital camera. You really can’t go wrong.

Nikkor Nikon 80-200mm f2.8D ED AF Zoom – This is a fantastic lens that stays at 2.8 no matter if you are shooting at 80 or 200mm. Again, magnification means it’s actually a 300mm zoom. Zooms are great because you can adjust your focus distance depending on where your subject is located. Not so great with subjects that are always far away (like the macaws seen here), but really awesome for docile wildlife like deer. It also has a macro function that works beautifully.

Nikkor 105mm f/2.8D AF Micro, or 105 Micro for short – This is probably Nikon’s most used macro lens, probably because the lens can serve triple duty. First of all, it is a macro photography lens and it allows you to take photographs at a 1:1 reproduction ratio (on a 35mm body), which means that a 24 by 36 mm subject will fill the entire frame. Second, it makes a very good general purpose short telephoto lens. Third, it is also at least a very reasonable portrait lens (although, with magnification it may be too much of a telephoto on a digital SLR). I really love this lens for macro photography.

Nikkor 300mm f4 manual focus – While a “prime” lens doesn’t offer the flexibilty of a zoom… it’s still an ideal choice for getting the best results in your work. This is the same lens I discussed earlier and, considering it cost only $350, it’s light & the focusing is so smooth, it’s one of my favorite lenses. I never leave home without it.

Nikkor 600mm f5.6 manual focus ED Glass – Again, I paid a lot less for this lens (which is actually a hefty 900mm on a digital body and also has the famous Nikon ED glass!!) because it’s an older model and it’s manual focus. I spent $1,599 USD – but consider that a newer model would go for at least $5,000 to $25,000, depending on the f stop. Some may argue that 5.6 is a bit too narrow of an f stop but I find the compression with telephoto lenses means that I wouldn’t want to shoot a 900mm subject with anything wider than 5.6 (2.8 would make the focus far too shallow on such a far away subject). Although… for closer subjects 2.8 is magic!

In the past, I have also used the Sigma 70-300mm 3.5-5.6 and the Tamron 200-400mm 3.5-5.6 and both served well as affordable zooms while I was learning about photography. I have since sold them to pay for the lenses I currently use.

Why I LOVE and Highly Recommend Manual Focus

I used to be terrified of focusing manually. On most auto focus lenses, the focus ring is small and more difficult to use… also there’s something really easy about just allowing your camera to do the focusing work for you. I was afraid I couldn’t react quickly enough to moving subjects and that I wouldn’t be as good as my camera’s auto focus. Now I see the errors of my ways.

For wildlife (or people), you want to make sure the main subject’s eyes are in perfect focus. You won’t be able to sell any image if the eyes aren’t in focus. If you shoot a subject 10 feet away at 2.8 and use auto focus, the camera will choose the object closer to the camera (usually the nose, cheek, or eye brow… not the eye itself). A 2.8 aperture means that you will have such a soft depth of field that the eyes will appear out of focus. The older (and more affordable) manual focus lenses have the most beautiful focusing rings you’ve ever seen. I find it much easier to use manual focus on my 300mm f4 lens from the 1970s than my newer autofocus 80-200mm zoom (using the auto focus feature). Unfortuately, I find the focusing ring on the newer models a little bit pooey… but I did want to make the case for why I think manual focus lenses from the 1970s are the greatest things since sliced bread!

Rule of Thumb for Fast Subjects

You may already be aware that your shutter speed should be at least the same as the distance of your lens. For instance, you need to shoot at least 1/300th of a second if you are using a 300mm lens or hand shake will make your picture look really blurry. And anything larger than 300mm should be put on a tripod (preferably one with a ball head for wildlife work). With magnification, you may be able to get away with shooting a 300mm (a 450mm on your digital) hand-held… at 1/450th of a second or higher…)in a pinch… but investing in a good ball head tripod will really improve your results if your lens is higher than 300mm.

From Isnare.com