An Amazing Camera!!, October 12, 2009

By OrangeCrush  (Farmington Hills, MI USA)

from Amazon.com

I actually still shoot film the vast majority of the time however I purchased my mother a G-10 for her birthday last year and spent a couple weeks using the camera so I could adequately teach her how to use it. I have since borrowed it on numerous occasions and was actually about to buy my own G-10 but then I heard about the G-11 so I figured I would wait and buy the new upgraded version. I am glad I did just that. For me this camera is worth upgrading to just for the swivel LCD view screen on the back. I cant tell you how many times I have shot outdoors and was completely unable to see the LCD screen even when you shaded it with one of your hands. Adding the swivel option basically eliminates this problem. This option is so nice when shooting outdoors that I am honestly thinking about upgrading my mothers camera for this one reason alone as she doesn’t have the best eyesight which means if I am having problems seeing the viewfinder, I can only imagine how hard it is for her to see it.

The next best thing I have noticed about this camera is its improved film speed ratings. I have already done a lot of testing with the G-11 and to say that they have improved the speed ratings is a huge understatement especially in the higher film speed settings. I was extremely hesitant to use a film speed over 400 with the G-10 yet I am using speeds above 800 with the G-11. Depending on the conditions your shooting in you should see anywhere from a 1.0 to 2.0 stop difference. I did some tests where the G-11 shot pictures at 800 that were basically equivalent to a 200 on the G-10. I was hoping for an improvement in this area but wasn’t expecting this big of an improvement.

The next biggest improvement has to be with the auto mode. I tested the auto mode extensively with the G-10 as that was going to be the mode my mother used the most, at least out of the gate, and I was unimpressed. There were too many shooting situations to count that easily fooled the camera into shooting with settings that were less than optimal. You would still get decent results but it definitely needed improvement and they have done just that. Running the identical tests I did with the G-10 clearly showed that this camera is much better at selecting the appropriate shooting mode. Some conditions were drastic improvements. This is probably the 2nd biggest reason why I am most likely going to be upgrading my mothers camera to a G-11.

A lot of people were concerned with the G-11 as it actually has a smaller picture size than the G-10. The G-10 has a 14.7 MP size and the G-11 only has a 10 MP size. Overall that’s a 32% decrease in maximum size. People who have a high understanding of digital imaging sensors knew not to worry as the MP size is not the most important aspect to an imaging chip. Details such as dynamic range, image noise and low-light performance are just as important, if not more important, when discussing overall image quality. I for one have always hated the MP war as we passed the quality that the vast majority of the population would be content with a long time ago. It has basically become a numbers game where people think that bigger is better and they just don’t seem to grasp that they will never have any use for such high MP images. So I tip my hat to Canon for taking this extremely bold step as this is the FIRST time that we have seen resolution reduced in a line of cameras that is still progressing forward. IMO this is the white flag that signifies the war of the MP is finally coming to an end and we will finally see companies focused on these other, equally important, image qualities as much as they have been with the MP size. As for the image quality of the new sensor, its outstanding! I immediately noticed a difference in the overall quality of the images. They seem richer with much less compression on the higher and lower ends. If I had the choice of choosing between the G-10 sensor and the G-11 sensor I would take the G-11 sensor every single time. Again a big tip of the hat to Canon for boldly choosing to go this route with the G-11 sensor.

The G-11 retains the same 5x optical zoom lens from the G-10 which in case your unaware is equivalent to a 28mm to 140mm lens. Also the same is the aperture settings which go from f/2.8 to f/4.5 depending on the zoom setting. Shutter speeds range from 1/4,000 to 15 seconds and it has the same metering modes as the G-10 (evaluative, center-weighted and spot). Thankfully they didn’t make any changes to the manual dials at the top of the camera as that is easily one of my favorite aspects to these cameras. ISO speed and the camera mode dials let you quickly and easily switch the most important settings. I an an old school photographer so I still prefer dials to buttons. IMO its the best set up out of all the point and shoots on the market.

2 other noticeable improvements include an increased flash sync speed of 1/2000 and a high-definition HDMI connector (Dont worry it still has the USB 2.0 connection).

The bottom line is that Canon has taken the G-10, which was easily one of the best point and shoots on the market, and made some outstanding improvements that have taken this camera line to a whole new level. If your one of those people who care more about how many MPs your camera has than the actual image quality of the camera then you should stick with the G-10. If however you are more concerned with image quality than MP’s then drop what your doing, list your G-10 on eBay and run out and buy the G-11. The image quality, improved noise performance, and swivel back LCD screen make this camera absolutely worth every penny.

The only negative thing I can say about this camera is in regards to Canon’s sheer ignorance when it comes to the lack of standard size filter threads. How hard would it be to design this camera so it had a 52 or 58mm threaded lens opening? Trust me when I tell you it would be extremely easy. At the very least they could design it so all you needed was a simple step up ring to 52mm or 58mm. Instead they leave out threads altogether and make you go out and spend around a hundred bucks on a 3rd party aluminum lens tube that then allows you to use 58mm and 72mm filters. The “Plastic” Canon Lens tube isn’t even an option as its so poorly designed. It just really annoys me that canon totally ignores this aspect of this camera. In all honesty threaded lens openings should be mandatory for all cameras, even point and shoots. Again it would be EXTREMELY Easy to change.

Overall the G-11 is simply an amazing, must buy, camera.

5 Stars!!

Canon PowerShot G11 10MP Digital Camera with 5x Wide Angle Optical Stabilized Zoom and 2.8-inch articulating LCD

Product Description

From the Manufacturer

The G Series comes full circle. You asked, and Canon not only listened, but delivered big-time. Advanced amateurs who have overwhelmingly embraced the G Series will be delighted with PowerShot G11, which features RAW mode for unlimited editing options, a 28mm wide-angle lens, and a 2.8-inch Vari-Angle PureColor System LCD. Add to that Canon’s new High Sensitivity System and high-speed ISO for incredible image quality, and Canon’s top-range compact digital camera is a truly groundbreaking successor.

PowerShot G11 Highlights

New 10-megapixel sensor coupled with Canon’s DIGIC 4 Image Processor
The PowerShot G11 employs a newly developed, 10-megapixel High Sensitivity System by combining a powerful CCD sensor and Canon’s DIGIC 4 Image Processor. Thanks to this technological advancement, the G11 is dramatically more sensitive than cameras with identical megapixel counts, and delivers spectacular images with minimal noise. Increased sensitivity demands a higher ISO speed, and the PowerShot G11 delivers with a new maximum setting of ISO 3200. Blur and camera shake are notably reduced for the ultimate in sharpness and clarity.

In addition, a new Low Light mode lets you capture images in an astonishing range of conditions. The camera automatically adjusts the ISO speed from ISO 320 to ISO 12800 in relation to ambient brightness, subject movement and camera shake.

Full range of shooting and recording modes including RAW + JPEG
The PowerShot G11’s RAW mode lets you shoot images without JPEG compression. It gives you clearer images and complete creative control in editing. RAW images are transferred directly to the computer where they can then be edited using image adjustment software or a processing application to adjust your images as you please. The camera can also be set to allow the simultaneous recording of both RAW and JPEG images while shooting.

Also, with 26 Shooting Modes, you’re ready for whatever shot comes your way.

Large, bright 2.8-inch Vari-Angle LCD
The PowerShot G11 gives you a large 2.8-inch PureColor System LCD screen for excellent control when framing your shots. But size is only part of the story. Canon’s PureColor System LCD offers spectacular color, resolution and contrast even at an angle. The screen is durable and easy to see. It is a perfect feature for gathering friends and family around to see your images.

Optional accessories including Speedlite flashes, underwater housing and Tele-Converter Lens
The PowerShot G11 is compatible with the Speedlite flash series intended for all EOS series SLR cameras. Attach a Speedlite flash to the hot shoe, then you can set and control the flash on the “Flash Control” menu in the camera. With a Speedlight, the G11 is given extra functions such as autoflash metering, FE lock and Flash exposure compensation; continuous shooting with external flash. Also Canon’s Speedlite Transmitter ST-E2 enables you to have multiple slave flashes and wireless control. A Tele-Converter lens designed for the G11 and WP-DC34 Waterproof Case are also available.

Wide-angle 5x optical zoom (equivalent to 28-140mm) with Canon’s Optical Image Stabilizer

5x optical zoom in action

The camera is equipped with a long, 5x Optical Zoom, and Canon’s own Optical Image Stabilizer Technology keeps images steady and blur-free all through the zoom range–even in low light–by detecting motion and generating a corrective signal. Because it is an optical system, more corrective movement is allowed and there is no degradation of image quality.

The G11 is a highly versatile camera with a wide-angle zoom lens that reaches all the way from 28mm at the wide end to 140mm at the telephoto end (35mm format equivalent). You’ll capture more image in every shot, and add greater depth to your overall photography.

DIGIC 4 Image Processor
Canon’s proprietary DIGIC Image Processors have long set its cameras apart from the competition, and the new DIGIC 4 sets the bar even higher. Faster, more accurate noise reduction delivers better image quality, even at high ISO speeds.

iSAPS Technology is an entirely original scene-recognition technology developed for digital cameras by Canon. Using an internal database of thousands of different photos, iSAPS works with the advanced DIGIC 4 Image Processor to improve focus speed and accuracy, as well as exposure and white balance.

A new Face Self-Timer automatically detects an increase in the number of faces and makes the appropriate adjustments. For instance, to include a photographer’s face in a group shot, there’s no need to rush in. Just put the camera on a stand or tripod, select the Face Self-Timer, and the camera will wait for the photographer’s face to get on-camera before it takes the shot. Motion Detection now tracks moving subjects in a much larger range, and the new Servo AF retains focus on a moving subject after the shutter button is pressed halfway – allowing you to wait for the perfect shot without refocusing. Also, Face Detection and Motion Detection are markedly improved.

i-Contrast in action

Intelligent Contrast Correction
DIGIC 4 also makes possible the new i-Contrast (Intelligent Contrast Correction) system, which controls the compensation level in pixel units to brighten dark areas while leaving bright areas unchanged for better images where the main subject is dark, and more natural transition. The PowerShot G11 can even use i-Contrast in playback mode to adjust images that were shot without the setting activated.

Red-eye Correction provides options for removing red-eye from subjects in flash pictures.
1) The Red-eye Correction during shooting actually identifies and corrects red-eye in human subjects as pictures are taken.
2) The G11 can be set to automatically detect and correct red-eye during image playback.

Life doesn’t give you second chances to capture special times. That’s why the G11 features ISO 3200 to reduce the effects of camera shake and sharpen subjects in low-light situations, giving you greater shooting flexibility.

HDMI output for viewing still images on an HDTV
With the advanced PowerShot G11, you can capture breathtaking, high-resolution still images and impressive standard definition movies with ease. The camera also makes it simple to enjoy and share your stills and SD movies with a mini-HDMI connector for direct connection to a high-definition monitor or HDTV, so every color and nuance can be appreciated like you intended them to be.

Improved Smart AUTO intelligently selects the proper setting
Just set the Canon PowerShot G11 to Smart AUTO and you’re ready for maximum enjoyment from your picture taking every time. It’s a relaxing and satisfying way to shoot because you can completely concentrate on your subject knowing that the camera has the technical details covered. Advanced Canon technology intelligently analyzes your situation and shooting conditions. Then it automatically selects an appropriate setting from specially defined settings. So whether you’re photographing flowers, a captivating sunset, or your friends at the park, you can be confident that you’re getting dramatic, memorable images.

What’s in the Box

• PowerShot G11
• Lithium Battery Pack NB-7L
• Battery Charger CB-2LZ
• Neck Strap NS-DC9
• Digital Camera Solution CD-ROM
• USB Interface Cable IFC-400PCU
• AV Cable AVC-DC400

Canon EOS Rebel T1i 15.1 MP CMOS Digital SLR Camera with 3-Inch LCD and EF-S 18-55mm f/3.5-5.6 IS Lens

First hands on experience…Very positive!

Customer Reviews from Amazon.com
by Hiram Grant, April 29, 2009

Here’s a quick, first impressions (from hands on shooting) of the Rebel T1i. Although we’ll need more scientific examinations to determine ultimate image quality and usability, I’ll try to give a hint into the camera’s potential.

I’ll not go in to any real detail on the kit lens, which has been well reviewed. Let’s just agree that $100 for a good quality IS (image stabalized) lens is a very reasonable value it you don’t have another option. There are no obvious reasons this kit lens should make or break your choice of this camera over a competitor’s.

Styling and build wise, the T1i is an XSi made over, which is not a bad thing. Some found that camera to be a bit on the small size for their hands, or a bit lacking in weight, but most like the size and weight (include me). It uses the same, proven battery and accessories of the XSi. I’ve already used some generic batteries that worked well in an XSi, with similar good results, but I do not want to lump all generics in the “good to go” category.

In using the camera, the first thing you’ll notice over the previous Rebels in the marvelous LCD screen. Yep, the images look much cleaner even at the original size. Don’t get confused if you compare this camera side-by-side and think it’s images are all that much better. They just look much better on such a sharp LCD.

First looks at IQ (Image Quality) were very impressive. I tried using the camera in a variety of situtations (biased to how I would use it), and got very good results throughout. Focusing was typical for a better Rebel, and images looked good throughout the ISO range, based on reasonable expectations. I thought the Auto White Balance is a very good job compared to previous results I’d had with Canons in general. They weren’t perfect, but the tungsten areas seemed to look better than average. All in all, I’d say Canon made reasonable progress with the jump to 15 meg, but probably no reason to trade-in your XSi.

Live View never has been one of my biggest thrills, but the sharp LCD makes it a bit more enjoyable. If I was still shooting macros, I would like it much more.

But the biggest advantage of the newer screen for some will be while shooting videos. I only did videos in the 1080p mode, and was impressed by the quality. Sound was OK, and I was a bit disappointed that Canon doesn’t have an option audio input (ala the 5D mkII or camcorders with intellegent shoe). I’m also not sure how practical the videos will be, considering they aren’t using a “direct to HiDef player” format like AVCHD or AVCHD Lite. Also, 20fps is a bit odd for 1080p, but their software does support frame grapping, which should give nice 4×6 prints (there’s a bit more than 2meg per frame). The 720p is recorded in a more standard 30fps, which should also help with moving subjects. You can also shoot a full 15meg image while recording your videos. You videos are interrupted for about a second (you’ll see a still image for that length in the video playback), but the high quality image will be recorded in its own file (no need to frame grab). BTW, autofocusing did work during this recording, but the noise was picked up by the mic.

OK, so I liked the camera, but how would I rate it compared to the competition. Well, compared to the XSi, it’s better, but maybe not worth the money. The LCD is grand (that alone would get my money), and it’s a no brainer if you need video or shoot lots of macros. But with resent price drops and combo deals from Canon, the XSi should still be strong based on value.

I’ve also had a bit of experience with the new Nikon D5000 (but even less so). Although initial pricing is about $50 higher on the T1i, I thought the Canon was clearly more interesting. I like the way Sony incorporated an articulated LCD, but hate it on the D5000. I was constantly setting the camera down with the LCD back being the first thing to touch. You might never break it, but you’ll surely scratch the cosmetics. The D5000 doesn’t have the motor built into the body, so there’s a bit of a limitation to lens. However, the biggest drawback was that the D5000’s built-in flash doesn’t support their wireless flash system (with their new lineup, we’ll have to move up to the D90). The D5000 really needs to be lined up against the XSi, not the T1i.

The 14mp Sony Alpha 350 might be a good value oriented competitor (when Sony offers bundles), but the IQ of the Canon’s CMOS sensor is probably better in most moderate to low light conditions. I think you’ll be seeing something soon to replace this model.

Thus, it’s prime competitors should be Canon’s own XSi, the D5000 (especially if they drop the price about $100 more), and for those with a bit more money, the Nikon D90.

The T1i carries on the tradition of Canon Rebels with a lot of “curbside appeal” matched with solid performance.